This decreases rumble and helps to define the low end.
I downward expand (gate) the low frequencies and adjust the threshold so that the low volume-level lows are being taken down even farther into the inaudible range.I like the OTT type of sound so I first use Nova to give me some dynamics earlier in my master chain. The Tokyo Dawn (TDR) products are consistently the best and I highly recommend them. SlickEQ Mastering for my final master EQ just before the TDR Limiter GE.) Use: Tokyo Dawn EQs ( Nova for dynamics processing on my master. And, I don’t want to contact actual people or rely on anyone else’s opinion, so I rely on a suggestion from my favorite equalizer plugins and tweak them to suit my ears.
#FABFILTER PRO Q 3 EQ MATCH FULL#
Creating my own tracks, after all, is a creative process and I want full creative control over them.
When mastering my own tracks, I want to get the right “flavor” of sound but not necessarily reproduce another exactly. Here is how the EQ curve looked for replication of the background noise in Susumu Yokota’s Saku track: Replicating the background noise in a track also was easy using just pink noise and Pro-Q. I used Fabfilter Pro-Q for those instances because it is very surgical and precise in the number of filters it suggests, and it gets it right on the money for reproducing sounds.įor replicating Shenzhou, my EQ curves looked like this one below and made it sound exactly the same as the original source material. I have done this on whole songs such as when I was trying to replicate the sound of Biosphere’s Shenzhou and I have done this when trying to replicate a certain noise or sound found within a song such as when I did this with Susumu Yokota’s Saku noise. Where to Use EQ Match Reproducing a particular sound or duplicating a song:
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